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Modernity and Its Other

The Encounter with North American Indians in the Eighteenth Century

 

Robert Woods Sayre

 

Lincoln: University of Nebraska Press, 2017

Paperback. vxiii+438 p. ISBN 9780803280977. $35

 

Reviewed by Florent Atem

Université de la Polynésie française

(Tahiti)

 

   

Originally published in French in 2008, this book has been translated, revised and expanded by the author. Published in 2017 and “destined for an American public” [xi], the new edition features two additional chapters – on French Creole colonist Moreau de Saint-Méry (chapter 3) and on fur traders Alexander Mackenzie and Jean-Baptiste Trudeau, respectively of British and French Canadian origins (chapter 8) – as well as an epilogue on American traveler and painter George Catlin. As specified in the “Acknowledgements” section [xvi-xvii], all the chapters of this book have appeared, in earlier forms, in various journals or collective works over the last few decades – material for chapter 2 was initially published as early as April 1989 while the epilogue first appeared in 2015.

In the preface, the author defines the key notions contained in the title of the book. Thus, “modernity” is to be understood as “the overall civilization created by developing capitalist economic structures”, while the “Other” refers to “the indigenous communities that persist and resist its incursion” [xii]. The author further explains that the “civilization of modernity” has fully blossomed in the British colonies, where it has reached its “purest form” [xii]. In this respect, French presence in North America may be viewed as having a mediating function of sorts. One of the most original aspects of the book is that it confronts both British and French perspectives on American Indians, thus taking advantage of the two vantage points to tackle a quite complex topic in different, complementary ways.

The ideas of “modernity” and “Otherness” are further discussed in the very detailed introduction, in which the author offers an interesting and useful reflection on notions such as “capitalism”, “consumerism”, “mercantilism”, “market”, “commodification”, “colonialism”, “civilization”, as well as an analysis of the opposition between “modern” and “premodern” – or “primitive” – societies in the context of the “transition to capitalism” [10]. Observations regarding the travel account as a literary genre are equally relevant.

The book is divided into two parts. The first one, which includes chapters 1 to 3, deals with different “views of modernity” [27]. Chapter 1 focuses on J. Hector St. John de Crèvecœur (Letters from an American Farmer, 1782) while chapter 2 deals with poet Philip Fréneau (“The Rising Glory of America”, first published in 1772 and then in 1786; “The American Village”, 1772; “Sketches of American History”, published in two parts in 1778 and 1784; “The Rising Empire”, 1790). French-born but naturalized as a British subject, Crèvecœur “seems to have leaned towards the Tory side” [32] while Fréneau, a native-born American also of French ancestry, appears to have adopted a “Whiggish posture” [78]. The author’s strategy is already apparent in the first two chapters: the fact that the two characters “stood at the opposite ends of the political spectrum” [58] makes the similarities in their social analyses all the more relevant. In this respect, the third chapter, which focuses on the account of Moreau de Saint-Méry, a French Creole from Martinique and Saint-Domingue who traveled through the United States in the early days of the American Republic (Voyage aux États-Unis d’Amérique, 1793-1798), constitutes “the most external view of the three” [81]. Thus, Crèvecœur’s and Fréneau’s writings, as well as Saint-Méry’s travel account, are all records of individual discoveries of “modernity”, from different perspectives.

Entitled “Views of the Other”, the second part includes chapters 4 to 8 and deals with travels in “Indian Territory” [99]. In chapter 4, the author discusses a central concept in the book – that of “adventure”, which he defines as the “zero degree of encounter” with Indians, characterized by “confrontation, misunderstanding, rejection, and hatred” [101]. At this stage, diverging aspirations and ruthless rivalries result in a profoundly conflictual situation which, by essence, makes it virtually impossible for positive cultural exchanges to occur. The chapter also analyzes the various representations of Indian violence through different types of narratives – including military accounts, captivity narratives, as well as historical writings and literary pieces – and ends with discussions on British Army officer Thomas Morris’s military journal (Journal of Captain Thomas Morris, 1791) and British trader Alexander Henry the Elder’s captivity narrative (Travels and Adventures in Canada and the Indian Territories between 1760 and 1776, published in 1809) as illustrations of accounts written on the “adventure” mode. Both writings deal with the period of Ottawa Chief Pontiac’s rebellion and, naturally, depict Indians as violent brutes and blood-thirsty savages.

Chapter 5 focuses on the travel account as a specific genre and analyzes the narratives of two very different French voyagers – Louis-Armand de Lom d’Arce, baron de Lahontan (Dialogues de M. le Baron de Lahontan et d’un sauvage, Nouveaux Voyages de M. le Baron de Lahontan dans l’Amérique septentrionale and Mémoires de l’Amérique septentrionale, 1703-1704) and Jesuit priest François-Xavier de Charlevoix (Journal d’un voyage fait par ordre du Roi dans l’Amérique Septentrionale, published in 1744). Regarded as “the antithesis of Lahontan”, Charlevoix – who is also referred to as “Lahontan’s declared enemy” who “actively attempted to discredit him” [153] – strongly opposed the French aristocrat. However, in spite of such extreme ideological oppositions, their views on Native Americans appear to be strikingly similar. The same strategy used by the author in the first two chapters – with the analysis of Crèvecœur’s and Fréneau’s works – is resorted to once again here and provides an interestingly cohesive and generally positive portrait of the American Indian, beyond the personal struggle between the two Frenchmen. As a literary genre, the travel account is presented as “moving decisively away from the zero degree of violence and adventure” [131], thus emerging as a “genre of cultural translation” [132].

The next three chapters are centered on travel narratives which originated in the Anglo-American sphere of influence. Chapter 6 deals with the accounts of Anglo-American travelers John Lawson (A New Voyage to Carolina, 1709) and Jonathan Carver (Travels through the Interior Parts of North America in the Years 1766, 1767, and 1768, published in 1778). While Lawson sees American Indians through the framework of his own sociocultural prejudices, Carver is more open-minded – he allows himself to be given an Indian name, for instance, and praises the Natives, whom he views as superior to modern Europeans and equal to ancient Greeks and Romans. Beyond their differences and in spite of “the gap between Carver and Lawson in terms of their degree of projection into the culture of the Other” [195], both accounts, to varying degrees, seem to point to a similar paradox – often described as savage and primitive, the autochtonous populations perfectly fulfill European ideals and actually appear to be morally superior to the colonists, according to the latter’s own ethical standards. Such convergences link these two accounts to those of Lahontan and Charlevoix.

In the previous chapters, it appeared that French observers were the ones who tended to view Indians in a genuinely positive light. However, the discussion in chapter 7, based on William Bartram’s Travels, published in 1791, reveals the uniqueness of the Quaker botanist’s account. Referred to as a pioneer of the “nature writing” genre, Bartram harshly criticizes the values of modern society and his literary celebration of “an ‘enchanted’ Nature” [212] made him a source of inspiration for romantic writers such as Wordsworth, Coleridge, Chateaubriand and Carlyle. Characterized by his sympathy for indigenous people, he seems to directly owe his “particularly favorable predisposition to encounter with Amerindians” to his “radical alienation from his own society” [206] – or “estrangement from the civilization of modernity” [212]. His nonhierarchical and comprehensive vision of living entities, seen as equal manifestations of the divine, likens his views to Indian beliefs. Furthermore, his sensitivity to animal suffering and awareness regarding ecological concerns stand in sharp contrast with the descriptions of white travelers’ cruel attitudes, barbaric behaviors and careless wasting of natural resources. Believing all human beings to be governed by an innate moral sense, he recounts a particularly dangerous incident involving an angry Indian, presenting it as a “spiritual” moment. He respects the Natives’ myths, legends and customs, praising indigenous societies as organized, well-structured and even “civilized” [227] communities, allowing “the best human qualities to flourish” [234].

In the wake of Carver’s expedition, more Anglo-American voyages in Indian territories were organized. Chapter 8 deals with “a specific category of traveler: the fur trader” [235] and focuses on the journal of British explorer Alexander Mackenzie (Voyages from Montreal on the River St. Lawrence through the Continent of North America to the Frozen and Pacific Oceans in the Years 1789 and 1793, with a preliminary account of the rise, progress, and present state of the fur trade of that country, 1801) and on the account of French Canadian trader Jean-Baptiste Trudeau (Voyage sur le Haut-Missouri, 1794-1796, published in a scholarly edition in 2006). With the inclusion of Trudeau’s narrative, adding to the discussions in chapter 5 on Charlevoix and on Lahontan’s travel from the early eighteenth century, the study has come full circle as the analysis of French perspectives on the “Other” now covers the whole century.

Ending the book, the epilogue mentions some major developments that occurred in the nineteenth century – such as President Andrew Jackson’s removal policy – and their influence on the relationships between white Americans and Indians. The author also provides interesting comments on the evolution of the various literary genres discussed in the study – the “prolongations of the earlier literature into the nineteenth century” and the “proliferation of new works” [272] – before focusing on George Catlin’s writings (Letters and Notes on the Manners, Customs, and Conditions of the North American Indians, 1842). The analysis of some textual ambiguities – or, sometimes, even contradictions – in the traveler’s works illustrates the complexity of the psychological mechanism of encounter. Far from revealing “a betrayal of an earlier purity of mission”, such incongruities are actually an integral part of the fundamentally “conflicted vision” [288] that seems to have characterized the writer’s perspective throughout his life.

In a systemic and comprehensive approach, this book discusses topics usually tackled in a compartmentalized way, namely the socioeconomic history of the North American colonies in the eighteenth century and the ethnohistory of the native populations, as well as their relations with the colonists. In a literary perspective, the author analyzes these subjects “from the angle of memory”, laying emphasis on the various representations of the North American Indian as they emerge from “the collective memory of Europeans” [295]. By opting for such a method instead of a purely descriptive and factual one, the author successfully captures the essence of a truly historical moment, as the inevitable confrontation between two radically different civilized models was being experienced, through changing times, in different ways and on various degrees of “encounter” between “modernity” and its “Other”.

 

 


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